Have you ever wanted to write your own pieces of music? It’s easier to start learning music composition than you might think.
I’m a mostly self-taught composer, and I’ve never learned to play any instrument well enough to be proficient at it. I remember wanting to learn how to compose songs in 2003 and then getting stuck with thinking about the tools required and the skills required. I used to think that you needed to learn music theory, and that you HAD to learn to play with a piano keyboard.
You do not need to know any of that to compose! These days, with digital tools, you can start writing basic songs with only a mouse, and listen to them immediately to see if you like what you hear. I’m going to help you get started with composing just enough so that you can try a few things on your own and get some experience so that more advanced tutorials make sense.
I’m going to assume that you are using a digital audio workstation (DAW) such as FL Studio, Garageband, Reaper, Ableton Live, or Logic Studio. There are many guides about how to choose a DAW, so I won’t cover that topic and focus primarily on the art of composing itself.
Melody and Harmony and Backing Rhythm
The first thing to be familiar with when composing is the layout of the piano keyboard and scales, even if you don’t plan on ever learning piano. This is because almost every DAW uses a piano roll to represent notes, where a piano is on the left. That said, if you’re just starting out, the only notes you need to worry about right now are the white keys. Horizontally, you can see when the note starts, and its duration. The numbers across the top represent bars (you can see 1-2-3-4). The smaller grid lines are subdivisions. A whole note covers one bar. A half note covers half of the bar. A quarter note covers a quarter of the bar. An eighth note covers 1/8 of the bar.
For creating melody, learn two scales: the major scale, and the minor scale. The major scale is essentially do-re-mi-fa-so-la-ti-do and can be played on the white notes starting with C to make “C D E F G A B C” (C major scale). The minor scale is played on the white notes starting with “A” (two white notes below C) and goes “A B C D E F G A” (A minor scale).
For most melodies, if you riff on the white keys, and either start, or end the melody on “C” for major, or “A” for minor, then you’re going to get something that cannot be out of key and will probably sound fine.
For creating harmony, you will want to learn chords. A chord is made of three specific notes played at the same time. For the raw basics, you would want to learn the 1 chord, the 4 chord, and the 5 chord. Once you get used to those, add in the 6 chord. Here’s a chart for what the chords are for the C major scale and the A minor scale.
|Chords for C major||Chords for A minor|
|I chord: C-E-G (C major)||i chord: A-C-E (A minor)|
|IV chord: F-A-C (F major)||iv chord: D-F-A (D minor)|
|V chord: G-B-D (G major)||v chord: E-G-B (E minor)|
|vi chord: A-C-E (A minor)||VI chord: F-A-E (F major)|
Using the 1-4-5 chords, a nice chord progression across four bars is 1-1-4-5. You can try many different variations of this, like 1-1-5-5, 1-4-1-5, and so forth. If you add the 6 chord, you have the harmonic foundation for a gigantic number of pop songs with the I-V-vi-IV progression.
For rhythm, learn some basic drum patterns. A basic to start off would be:
- Kick drum on every beat: 1-2-3-4
- Snare drum on every second beat: 2-4
- Closed hi-hat on every 8th beat: 1-&-2-&-3-&-4-&
Writing in your DAW
If you have this, the next step is to sit down at the DAW and start writing. Choose some instruments that sound good to you. Good choices are piano and square wave synth sounds because they sound good across many octaves.
A solid template to start your composition from would be:
- One lead track to play the melody
- One midrange track to play the harmony
- One low track to play the bass
Play your melody in the melody line following the major or minor scale. Play the harmony in the midrange track and assign it a chord progression of your choice. For bass, you can usually draw the lowest note from the corresponding chord, make it short, and then repeat it and move it around for some groove. Copy and paste this and add a few variations.
Now you’re composing!
Eventually, you’re going to grow out of this template. You’ll start using open hi-hats, breakbeats, syncopated rhythms, jazz harmonies, crazy stacked synths, three kick drums, alternative modes, an entire orchestral string section with borrowed chords, and more. But when you’re just starting out, I like to give people a relatively constrained set of parameters to work with initially because it helps you get something down on the paper. Once you get it down and you can press “play” and hear something that sounds not too bad, you can start making tons of variations and basically start having fun overall with it.
Set Realistic Expectations!
When you are writing, your first few songs will sound bad. They won’t be epic like Howard Shore or floor-busting like Skrillex. Just accept it. Actually, to be honest with you, when you first start out, your first few songs are going to sound AMAZING and you’ll want to show all of your friends, but then you’re going to realize just how wrong you were about it half a year later.
The point is, it takes a lot of practice if you want to make songs that sound like your favorite songs. This is where analysis and theory comes in – you also want to know how to listen and study existing music and put it into a framework where you can put it on your page. You will get there eventually. Until then, embrace making music that sits within your own parameters until you get the skills up. There’s a lot to learn, but it’s also important to have fun with the process!
Learn and Practice With Others
As you learn the skills, you need an opportunity to practice them regularly, in a way that is encouraging and motivating in order to get good.
I highly, highly recommend that you Join a community where you can compose, share your work, and get feedback. I plug One Hour Compos a lot for new and experienced producers alike. The compo starts at 9:00 P.M Eastern time and runs for a little over an hour, and then everyone listens to the songs afterward and comments in real-time. This is extremely valuable because it’s not a huge time commitment, you get to practice, and you get real-time feedback from the ThaSauce Network Discord. In addition, since you’ve only spent an hour on it, no one has any expectation that what you’ve created is complete or polished.
There’s lots of variations of this (Two Hour Track Sunday, WeeklyBeats, Weekly Music at streak.club, Mix Challenge, 90 Minute Compo, etc.). No matter what you’re doing, if you’re doing it every week, and you have people listening to your work and leaving you their impressions, you’re going to improve much faster than if you’re doing it on your own.
Your Next Steps
What happens next? First, create some music. Get used to the process of choosing some instruments, writing some notes on the page, and listening. Compose some melodies, listen to how the different chords and rhythms sound, and learn how different instruments sound. Join compos like One Hour Compo. Ask me questions in the comments and let me know about topics you want to learn more about. Not everything is going to sound good. That’s okay. You’re learning a new skill – one that takes many hours to develop! Remember that it’s about the journey – your journey – not the results.
When you start getting comfortable, a good next step is to start learning music theory to form a foundation from which to understand more music composition concepts. There are a lot of resources out there, but I particularly enjoy Hack Music Theory for its simple explanations, its solid foundations, and easy-to-apply techniques.
I really enjoy talking about music composition and music technology. You can reach out to me on this blog or through Discord (EmeraldArcana#7200). Check out my compositions on my YouTube channel!